New
Relaxation TypingLoaders
Thirty-two bars on one clock, each with a fixed peak, so the field reads as a single waveform rather than thirty-two loaders.
'use client';
import type { CSSProperties } from 'react';
import './pulse-choir.css';
/** 32 bars, each with a fixed peak so the field reads as one waveform. */
const BARS = 32;
/**
* `compact` is the 298x240 catalogue card: the same 32 bars on the same loop, handed
* the whole frame instead of a 500px block in the middle of it. The field runs on its
* own, so the card is alive on load with nothing to hover; and nothing in here is
* focusable or takes a pointer event, so there is no tab stop to blank under the
* frame's `aria-hidden`. Presentation only — see `pulse-choir.css`.
*/
export type PulseChoirProps = { compact?: boolean };
export function PulseChoir({ compact = false }: PulseChoirProps) {
return (
<div className="pulse-choir-stage" data-compact={compact ? 'true' : undefined}>
<div className="pulse-choir" role="img" aria-label="A synchronized field of equalizer bars">
<div>
{Array.from({ length: BARS }, (_, index) => (
<i
style={
{
'--i': index,
'--peak': (0.2 + Math.abs(Math.sin(index * 0.72)) * 0.8).toFixed(2),
} as CSSProperties
}
key={index}
/>
))}
</div>
<span>
<b>LIVE</b> / MOTION FREQUENCY
</span>
</div>
</div>
);
}@keyframes choir {
0% {
transform: scaleY(0.08);
}
55% {
transform: scaleY(var(--peak));
}
100% {
transform: scaleY(calc(1.05 - var(--peak) * 0.5));
}
}
@keyframes live-blink {
50% {
opacity: 0.2;
}
}
/* The surface the choir is designed to sit on. Size it from the parent. */
.pulse-choir-stage {
position: relative;
display: grid;
place-items: center;
width: 100%;
height: 100%;
min-height: 240px;
container-type: inline-size;
overflow: hidden;
background: radial-gradient(ellipse at 50% 80%, #20266d, #111 58%);
color: #f0ede6;
}
.pulse-choir {
width: min(500px, 86%);
display: grid;
gap: 30px;
}
.pulse-choir > div {
height: 190px;
display: flex;
align-items: center;
gap: 5px;
border-bottom: 1px solid rgba(255, 255, 255, 0.35);
}
.pulse-choir i {
flex: 1;
height: 100%;
min-width: 3px;
background: linear-gradient(to top, #3155e7, #9b6dff 55%, #d8ff43);
transform: scaleY(0.08);
transform-origin: bottom;
animation: choir 1.65s calc(var(--i) * -55ms) cubic-bezier(0.45, 0, 0.55, 1) infinite
alternate;
}
.pulse-choir > span {
display: flex;
justify-content: space-between;
font: 8px ui-monospace, SFMono-Regular, Menlo, monospace;
letter-spacing: 0.1em;
}
.pulse-choir span > b {
color: #d8ff43;
font-weight: 500;
}
.pulse-choir span > b::before {
content: '';
display: inline-block;
width: 6px;
height: 6px;
margin-right: 6px;
border-radius: 50%;
background: #d8ff43;
box-shadow: 0 0 8px #d8ff43;
animation: live-blink 1s steps(1) infinite;
}
.pulse-choir > div {
position: relative;
padding: 0 10px;
background: linear-gradient(90deg, transparent, rgba(49, 85, 231, 0.12), transparent);
box-shadow: 0 28px 44px rgba(49, 85, 231, 0.16);
}
.pulse-choir > div::after {
content: '';
position: absolute;
left: 10px;
right: 10px;
bottom: -16px;
height: 13px;
background: inherit;
filter: blur(4px);
transform: scaleY(-0.45);
opacity: 0.45;
}
.pulse-choir i {
border-radius: 8px 8px 0 0;
box-shadow: 0 0 12px rgba(155, 109, 255, 0.28);
}
/*
* The card variant: the 298x240 catalogue frame, at that real size and never scaled.
*
* There is no prose in this animation to drop — no headline, no paragraph, no `vw`
* anywhere — so the thing that fails in a card is the width. `min(500px, 86%)` leaves
* 236px inside the row's padding, and 32 bars floored at `min-width: 3px` plus 31
* five-pixel gaps need 251px: every bar is pinned at that floor, a 3px hairline, and the
* line still overruns by 15px. Nothing is cropped — the spill stops 16px short of the
* stage's own edge, so `overflow: hidden` never reaches it — the last two bars simply
* stand outside the underline and the reflection, which both end where the row does.
* Closing the gap to 3px is what makes the field fit — 93px of gaps in a 262px row leaves
* 169px, so a bar is 5.28px and the floor never binds.
*
* Vertically the frame goes to the mechanism. 190 + 30 + 11 did fit 240px, with about 4px
* of air top and bottom, but 41 of those 240 were a gap and a strip of 8px type. Here the
* label keeps one 13px line at 10px and the bars take the 193px left over — taller than
* the 190px they get on the full stage.
*/
.pulse-choir-stage[data-compact='true'] {
min-height: 0;
height: 100%;
/*
* The only padding in the file, and it replaces an inset that used to be implied by
* the 86% width. 8px at the sides plus the row's own 10px keeps the first and last bar
* clear of the card frame's 14px corner radius (`rounded-xl` on this project's 0.625rem
* `--radius`); 12px above is what the tallest peak in the set — a bar whose keyframe
* reaches `scaleY(1)` — has instead of the top edge.
*/
padding: 12px 8px 10px;
}
/*
* No `touch-action` line here, and none needed: this stage has no pointer handlers and
* never captures a gesture, so a touch on the card scrolls the page as it should and
* declaring `pan-y` would only cost the card its pinch-zoom. No `border-radius` line
* either — the stage never set one, and the card frame rounds and clips already.
*/
/*
* Fills the frame rather than sitting in the middle of it, and the rows are stated so
* the bars get everything the label does not. `1fr` rather than a measured height: the
* line box under a 10px monospace face is the webfont's business, not a number to
* hard-code and then be wrong about.
*/
.pulse-choir-stage[data-compact='true'] .pulse-choir {
justify-self: stretch;
width: auto;
height: 100%;
grid-template-rows: minmax(0, 1fr) auto;
gap: 12px;
}
/*
* The row takes the whole `1fr`, and it has to say so in a percentage rather than in
* `auto`: 190px is a definite height and a definite height does not stretch, but the bars
* inside are `height: 100%` and want a definite one to resolve against, so leaving this
* to stretch alignment would put the field's height on the least portable step of the
* chain. The drop shadow comes up with the row — 28px down over 44px of blur throws most
* of the wash past the bottom edge, where 10px of padding is all there is to catch it.
*/
.pulse-choir-stage[data-compact='true'] .pulse-choir > div {
height: 100%;
gap: 3px;
box-shadow: 0 14px 26px rgba(49, 85, 231, 0.16);
}
/*
* The reflection, pulled inside the smaller gap. At -16px over 13px it hangs from 3px to
* 16px below the baseline, which is four pixels into a label that now starts at twelve;
* -7px over 8px keeps the flip touching the line it belongs to and stops short of the
* type, with only the blur tail reaching the leading above it.
*/
.pulse-choir-stage[data-compact='true'] .pulse-choir > div::after {
bottom: -7px;
height: 8px;
}
/*
* Stated rather than left to the radius clamp: at 5.28px wide the browser scales 8px down
* to 2.6px on its own, which is near enough to this and arrived at by arithmetic nobody
* can read off the file.
*/
.pulse-choir-stage[data-compact='true'] .pulse-choir i {
border-radius: 3px 3px 0 0;
}
/*
* The one line kept, at 10px instead of 8px. It is a label and not prose — the card's own
* title and description say what the item is — and it earns its 13px by naming the field
* and carrying the blinking dot, the only channel in here running at a different rate to
* the bars. The text is about 166px of the 282px strip at this size, so `space-between`
* still reads as two ends of one line rather than a broken sentence.
*/
.pulse-choir-stage[data-compact='true'] .pulse-choir > span {
font-size: 10px;
}
/*
* `choir` starts at scaleY(0.08) — a flat line — so the still is each bar at its own peak
* instead. `--peak` already differs per bar, so the meter freezes as a varied profile
* rather than a row of equal blocks, and the blink resolves to its base steady state.
*/
@media (prefers-reduced-motion: reduce) {
.pulse-choir i {
animation: none;
transform: scaleY(var(--peak));
}
.pulse-choir span > b::before {
animation: none;
}
}